lunes, 10 de marzo de 2014

Magatzem d'Ars (Octubre - Diciembre 2013)

Planteamiento, diseño, patronaje y realización de vestuario escénico para la compañía de teatro "Magatzem d'Ars" de Barcelona.

Obras: 

"La Rateta Presumida"
"La sireneta"
"La celestina"  

Durante los meses de Octubre a Diciembre del 2013, realicé la ilustración, el diseño, el patrón y confección de todo el vestuario de la obra "La Rateta Presumida". 
A través de unas ilustraciones planteamos el estilo de los personajes y realizamos bocetos para crear el vestuario, cuando llegamos a las conclusiones de cada personaje fuimos a escoger y comprar las telas. Realizamos los patrones para dos tipos de cuerpo femenino y masculino (ya que eran dos actores distintos los que se tenían que vestir con el mismo vestuario), cortamos las telas y lo cosimos, finalmente hicimos las pruebas de vestuario correspondientes.  











jueves, 20 de diciembre de 2012

Social Fashion Monsters

My idea for this collection comes from the observation of the world and from the search for inspiration, in parallel realities, which may help us combine the world of dreams and the social, political and economical chaos that surrounds us.

Starting from this idea, I tried to capture in my designs an alternative to connect the globalized, intercultural world that tends to devalue creativity to unify and/or standardize ideas, thoughts and ways of dressing
Misunderstanding globalization, results in a loss of identity rich in nuances.

In my opinion, the fashion-dressing concept, is simply the ability to create via tangible manners: ideas, thoughts, dreams, wishes, concepts, anger, misery ...


It is the most functional and commercial pathway to achieve self-expression.
I liked the idea of looking into a surreal universe's way of expressing and to demonstrate that other ways are possible to have a more dreamlike vision of reality.

The volume of the dresses is inspired by the concept of the roll of canvas paintings to the body, to achieve the effect of passing a creative process in a garment box, so you can create monsters out of the pictures.

The starting point were the paintings, later I created monsters that gave name to my collection: SOCIAL MON- STERS.
They are the monsters of society, they come out of the paintings due to their rejection to injustice.

It is a collection that tries to break standard rhythms, colours and shapes that suggest a trend of primitive expres- sions to propose new ways of interpreting fashion.